NOTE: There was an early version of this recipe, which I have dramatically altered since then, as it was far from accurate. This new one should be more like the “real” thing.
The great thing about the Fujifilm cameras is their what so called film simulations, which are, as you may know, some sort of colour profiles presets that you can further tweak as of your liking. So, because one doesn’t need too much of an excuse I started to experiment with some new film settings with my X-Pro3 with some b&w recipe that would please my eye.
I just wanted to put here some examples of the treatment Classic Negative does to colours, specially red. The photos below where taken with the excellent Superia 800 film recipe for X-trans that uses Classic Negative film simulation and that I’m experimenting a lot with lately. What do you think ?
This is an approach attempt to a colour style inspired from some of the iconic images from the works of Saul Leiter and Ernst Haas. If you don’t know them, check them out it’s well worth it. The idea is to achieve a “painterly” look. I’ve deliberately chosen to go for a warm cast which I think works best for the final effect. Because of this, the recipe could have many subtle colour variations that might suit better the available light conditions and subject. Feel free to experiment and share the results here in the comments.
Lately I have been looking at several examples of film photography using Portra 400, many of them shot with the ever growing popular Leica M6, but also Olympus om4, Pentax 67, Mamiyas and the likes. Film has been back in favour from some years now and it is all the rage right now. Many photographers use it as a means of distinguishing themselves from the masses as a result of cultivating their own style. It is certainly enjoyable to see those classic retro coloured pictures. Even though the film look is old, the images themselves have a very distinctive contemporary look. That is because the modern lenses are so much technically capable than they where and as a result, the images are crispier than ever. It’s only when you deliberately use old glass that you get the true old look. But in my humble opinion sharpness, as overrated as it might be (a “bourgeois concept in the words of H. Cartier Bresson), is a goddess that is hard not to worship nowadays.